Bless This Mess

Bless This Mess

I know I have been quiet for a while, but I have a very good excuse. In 18 days time, I have a visitor who is coming to stay here while I am in Kentucky.

My house is, in fact, my mother’s. To explain my domicile in the best possible way, so that you get an idea of what I am up against, I would like to draw your attention to a film called June Bride. It was one of those screwball comedies from the 1940s/50s that were subtly sophisticated in their way and totally hilarious.

June Bride stars the inimitable Bette Davis and Robert Montgomery (father of Elizabeth, of Bewitched fame, but I digress). It also stars a house. Decorated in a style referred to throughout as McKinley Stinker.

In other words, desperately old fashioned, and in sad need of a makeover. But McKinley Stinker covers it with so much more class.

I’m sure you can see the chintz. So… picture that chintz. Add a good hefty dollop of pet depredation (curtains dangling drunkenly from not frightfully well attached curtain rails… that sort of thing), sprinkle with moving boxes from a three bedroom maisonette from when adult daughter returned home with a husband and a caravan (caravan and husband have now gone… I miss the caravan…) add in a soupçon of very strange decorating choices, and some seriously ill-advised colour schemes, allow to simmer…

E voila!

Overstuffed McKinley Stinker.

There is way more accumulated bric a brac here than fits on the bookshelves. The loft is full. And we do not have a basement.

Before you all jump on my case, I should point out that in terms of hoarding, my mother makes me look like a dilettante. Up in the loft is the Silver Cross pram that was last occupied by yours truly. My mother kept it just in case. Okay, maybe that is understandable, I am female and she was hoping for grandchildren. But that does not explain how the pram was ever going to be got out of the loft, it was a tight fit before the loft ladder was installed.

That also does not explain my grandfather’s golf clubs (he passed away in Melbourne, Australia in 1960!), there are also off cuts of carpets, none of which actually match the carpeting scheme in this house, wallpaper – 172 rolls at the last count… a toy box, a mountain of old, broken and curiously ugly Christmas decorations. They were pretty ugly before age withered them.

This house has a seriously redeeming feature. It has a real fireplace. Toasted crumpets by the fire in winter are just perfect, except that before I am even vaguely tempted to think about that the chimney needs sweeping.

There are a million ornaments that need dusting, pictures stacked three deep on the stairs, and I am attempting by sheer force of will (as opposed to green fingers or any real gardening skill) to keep the kalanchoe I bought two weeks before Easter alive. After all, my old, and very strangely decorated bedroom needs serious brightening up. Anything that draws the eye from the hideous pink frilly curtains I count as a serious plus.

So, I am sweeping under rugs, forcing closet doors shut on the mountains of clothing and assorted other items that are welling out of them and transferring boxes of stuff that doesn’t need to be kept particularly tidy into the garage. One day, I might even fix the garage door so that it actually shuts.

I am the least domesticated creature on the planet. I crave ultramodern and minimalist surroundings. But until then I will try to keep the hoarding at bay!

The writer/director: revealed

The writer/director: revealed

Reblogged from thepigpicture:

Click to visit the original post

Directing in the desert

What piece of advice for aspiring writers would you think most crucial? Write every day.  Never stop.  Never slack off.

Revising/editing: labor of love or torture tour? Both.  Revising/re-writing feels evil until you look back upon an earlier draft and breath a sigh of relief that no one over saw that version.

Criticism: major motivator or background noise? 

Read more… 278 more words

Last year I was lucky enough to meet Henry Barrial and Mark Stolaroff. Their film, Pig, is quite remarkable. As Pig begins a multi-festival run in the next six weeks, I am re-blogging this post from Pig's own blog, sharing some insights into Henry, the film's writer and producer!

Travelling!

Travelling!

I was born with wanderlust permanently ingrained in my soul. Anywhere but here was something that spurred me on to greater endeavour at a very young age. I used to wander off. Regularly. My mother would turn round and I was miles away. Again.

I always wanted to be some place else. Particularly foreign places.

My parents would up sticks at the beginning of the summer holidays and we would head out of the UK for a fortnight (I have been a huge fan of fourteen whole days ever since!).

The adventure always began with packing. Boy… did it ever! My mother is a just in case person. (In case of what? My father would gently enquire!). She truly belonged to the days of gracious liners, steamer trunks and a line of sweating porters schlepping her monstrous accumulation of luggage down the concourse in her wake. I vividly remember our early holidays. Partly because I would be squished between huge piles of suitcases throughout the journey.

Hand luggage was something that did not need to be raised by forklift. My mother once took a suitcase containing 27 pairs of shoes for a fortnight’s holiday. And no, that is not rational.

Suitcases were inevitably retrieved from the attic at least a month before departure. In vain my father would point out that everything would be creased. It was washed and packed and that was that!

In addition to these suitcases, my mother was an avid shopper. It was absolutely inevitable that she would buy more clothes on every trip. And she did. I have been forcing suitcases shut since before I hit puberty. I am a mean suitcase stuffer! One of the side effects of this excess was that the suitcases got heavier, and this was before someone thought to put wheels on the bottom. My physical size and shape have probably got a lot to do with the fact that I spent a vast amount of my early life schlepping suitcases. By the time I was five or six I was lifting cases, this stayed with me throughout my life.

Heckscher family holidays were defined by chaos. My mother whilst highly decorative, was a complete scatter brain. She could lose anything. My father was endlessly harassed, but somehow we would muddle on to the next stop and we survived these forays into France, Spain and Italy relatively easily. Both my parents spoke French, my father because he spent a good deal of the war in French speaking places, and my mother because she had been to classes at the YMCA.

I am off travelling at the end of May. And believe me when I say that this trip is going to buck the trend for Heckscher chaos. There will be lists, there will be one SMALL carryon bag – in this life there are two classes of luggage, carry on and lost – I am taking two pairs of shoes, and the flip flops I plan to wear on the flight. I was a professional administrator, it will be organised and nothing will get lost.

At least I do not wear the thing that has vexed me since I was old enough to know what they are. Contact Lenses. While I appreciate there are many wearers of these things out there, and I applaud your fortitude in wanting to stick your finger in your eye on a daily basis, and all the attendant hassle associate with the things, I will pass thank you very much.

When you have spent as much time as I have, on my hands and knees, crawling around the floor, looking for my mother’s missing contact lens, you will appreciate that the things drive me nuts. The genius who invented the pot with the springy plastic clips I personally wish to take outside and show him the error of his ways. You know it was a him. No woman would ever be that stupid. Springy plastic prongs that fire said wretchedly small item clear across a fifteen foot room? Huh!!! REALLY??

There was the joyful holiday in Greece. Not only did I have to contend with being very white and very English (sunburn, peeling like a ticker-tape parade!!), we were unprepared for electricity failures in mountain villages, cockroaches the size of dogs, my mother lost a contact lens in every place we stayed. (Three pairs). Several thousand years of culture and history did distract me from going nuclear. Just.

I love Greece. Classical architecture, history, ruins (I like ruins)… my travelling soul was appeased. My BS meter was going spare.

No, this trip will be joyous. This trip will be organised. And for one glorious week, my saintly employee will discover the idiosyncrasies of life in a Heckscher household. (Heaven help her!).

 

 

Viral

Viral

Okay, I am a very firm believer in the power of viral. Nothing quite beats moving pictures as advertising. Everyone has seen the cute cat videos, which go from family pet into small business overnight. Denver the guilty dog anyone?

We know what viral is. Or at least we thought we did.

Yesterday, the director Ridley Scott blew that out of the water. His three minute video, a TED talk from the future, Peter Weyland at TED2023: I will change the world.

Truthfully, Ridley Scott just reset the bar for the power of Viral.

Trailing Lines!

Trailing Lines!

As Throwaway Lines, I publish books with my business partner, Jason Horger. We have just published Jessie Bishop Powell’s Divorce: A Love Story, and re-published Jase’s spy comedy thriller Whom Must I Kill To Get Published? Now I have tried a number of different advertising methods to reach an audience, this time I was going to go for something a little different.

My blog partner, Mel Hagopian (My Ink Project) has a video production company with her partner, Bobby Francavillo. So it was to Mel and Bobby I turned when it came time to advertise. I wanted a tall order, a book trailer.

But this book trailer had to do more than just sell the book, it needed to be representative of the ideals of Throwaway Lines.

Almost four years ago, when Jase and I first met, we knew that we wanted pretty much the same things for our books, for our writing and for the future. Through trial and error, eventually Throwaway Lines was born. We knew we wanted it to be fast, to be fun and most importantly, recapture a time when books were shorter and cheaper, and they were a pocket money purchase. In truth, they were INCLUSIVE. Anyone could own one.

With that in mind, I turned to Mel and asked the very important question. Can Nitro Book Trailers make a book trailer that does sell the book, but it also needs to carry the vibe of the company with it, it needs to pique the interest of the buying public enough for them to try Throwaway Lines for size, and buy our stories.

Now, I have seen hundreds of book trailers, with varying production values, and qualities, sometimes they do the job for which they are intended, sometimes they are very wide of the mark.

So, I wanted something that looks slick, without looking too corporate, smart and funny, like the book, and memorable. Not something that screamed ‘amateur’ from the heights.

Mel instantly knew what I meant. She pruned away my waffle, and got straight to the heart of the matter. Since she writes sharp, focused copy and book blurbs, this comes as no surprise. I sent her a copy of the book. She read it cover to cover. Properly. While Bobby read the book and then got down to writing a script, then compositing the visuals and finding a soundtrack. Mel worked on finding pictures to illustrate what we wanted the book trailer to say, and honing the short script for the perfect cut.

When it came to voice over, I knew exactly who I wanted, and luckily he is a friend who agreed to do the v/o for me. Henry Barrial is a writer/director whose film Pig is currently doing the festival circuit gathering awards as it goes, Henry is also an actor and his voice was the perfect fit for the beautiful book trailer that Mel and Bobby were putting together.

Mel and Bobby are professional and creative and they work fast. In no time at all Nitro had a final cut which I approved instantly, Jason (as the author) loved, and is the perfect blend of quirkiness and charm to represent both the book, Whom Must I Kill To Get Published?, and Throwaway Lines.

But don’t take my word for it. See for yourself.

Bonding!

Bonding!

We’ve come to that time again. Rumour hath it that the current Bond is hoping to hang up his Walther PPK and return to the land of the not so legendary.

Bond is like Dr Who. You can measure your existence on the planet (if you’re a Brit) by who your first Bond and who your first Doctor were. In my case, Roger Moore and Jon Pertwee.

Being a Brit, I feel a personal connection to James Bond. He’s British. Stiff upper lip and all that. With immense personal charm he cuts a swathe through the bad guys, and whatever situation he gets sent to investigate, and he usually lays waste to several female hearts before, during and after each case.

There are some actors who you can never picture as Bond. They simply do not fit the vibe. I find it extremely bizarre that Sam Worthington and Shia LeBeouf are anywhere in a possible list of candidates. Neither fit the vibe of who the character is.

Character. That is exactly what this boils down to. Who can give that character life in a way that is recognisable to what Ian Fleming wrote.

When I write my characters, I often picture in my head the actors I would cast to play them. I happen to know quite a lot of actors so this is relatively straight forward, a lot of my male characters are a strange homogenised blend of my male actor friends, and other male friends that I have.

But the point here is Bond. Who should be the next Bond?

Men’s mag Esquire think they have the handle on that, although I think at least four of their possible choices utterly impossible. There is no denying however that their Number One pick, the British-born actor Christian Bale, is a very strong contender.

For me, Bale is too cold, there is a remoteness to him, a quality that he has used to incredible effect in some of his roles. If you have ever seen him in American Psycho, Shaft or Equilibrium, you will know what I mean. There is an iciness that he can tap into, which is incredible on one hand, but on the other holds you at a distance.

It goes to character. What do you think a spy’s character would be like? What resonates. A spy is by his very nature a chameleon. He blends in. He is as at home at an Embassy cocktail party as he would be on the mean backstreets of a war torn city. He can take care of himself physically, sure, but he also needs that sixth sense, intuition. He needs warmth. Understanding, empathy.

That is not a vibe you would traditionally associate with Christian Bale.

My choice? Young Brit actor TJ Ramini. Several years younger than the current incumbent, from a practicality point of view he is perfect. Physically he fits the demands of the part. Emotionally too. TJ is British, a Londoner. He understands how the British react and think. He is a chameleon, adapting to every role he plays, a skilled performer. But he has that added quality, a warmth that is key to the centre of who Bond is as well as what he is.

I would like to think that people power via Twitter can perhaps inspire those responsible for casting the next James Bond to at least take a look at the guy that a number of people (not just myself) think would make a first class Bond.

You can follow TJ on twitter @tjramini; tweet your support using the hash-tag #TheNextJamesBond and @007, suggesting TJ.

I’m following this one with interest for many reasons.

UPDATE:

Send your tweets in support of TJ to @esquire @007 and the #NextJamesBond

What’s it all about?

What’s it all about?

Social Media.

We all know what we think it is all about. But sitting down to define it and how it works you can get easily bogged down. Let’s just cut the padding, the self-help book puff and dig out the nitty-gritty.

I’m on Twitter. Feel free to follow me @mock_ing_bird if you like as I work my way through life’s odd moments, and tweet and re-tweet about things that interest me. So, I am on twitter, sitting there, working my way down my feed.

How many of you do that? Do you just glance at what is on the screen in front of you right now? Or do you cruise down the feed looking for gems?

I cruise for gems. Today, I found one. A golden illustration of what Social Media is all about. Being Social.

socialmouths Francisco Rosales

In Pursuit Of Facebook Fans: Try This twrt.me/mo1p8f via@jerrybattiste
I’m the nosey type. I have to know. So I clicked the link.
Which lead me to this guy here, http://www.socmmaven.com/2012/01/in-pursuit-of-facebook-fans-try-this.html; Jerry had written a nice blog post about this guy here http://www.justinvining.com/blog/, Justin and his efforts to raise his Facebook follower numbers.
Now Justin blogs in a charming sort of way about his art, and his hopes to get more followers, and he adds an enticement. He is going to give away some art. But he needs to reach 11,000 followers to do this.
Jerry sees what Justin is doing, so not only is he interested in Justin’s ‘offer’, he engages on a level which takes him back to Justin’s blog, and sparks interest to write a  blog of his own about Justin’s blog and facebook page.
Jerry’s blog is also in the tweet feed. So along comes Francisco, and he likes what he sees, so he tweets Jerry’s blog link to his followers.
I follow Francisco because he has something to say, and if he thinks Jerry has something to say, I am 70% more likely to go and look at Jerry’s link than if I had just found it by accident.
Jerry’s post is smart, it gives you the warm fuzzies, you are driven to click the link to Justin simply because Jerry (and Justin) have an appealing way with words. So yes, I clicked the link. Yes, I liked Justin’s facebook page, taking him one step closer to 11,000.
There is no pressure here. No hard, in your face, sell. No buy my book. In fact, it’s a lot more subtle than that. It’s an enticing invitation to the dance. It has a rhythm that vibes with you as a person.
That is exactly what social media is about. Being social.
Do you see what I just did?

Transmedia Tribulations

Transmedia Tribulations

This is the post that I have been trying to write for three days. Probably a lot longer than that in reality; simply put, this is the single most important step that I have taken this year. I need to get this right.

At the moment, I am looking at the steps that I am taking in social media and marketing. I have spent the past couple of years studying, in a vague sort of way, social media and the sheer growth phenomenon. Now is the time to step it up.

Social media is moving, there has been a seismic shift in the process. Facebook is still a good place to be, and for visibility it’s hard to beat. So growing an audience, interacting with them and offering them insights into what you are about to do. Twitter is the conversation. Google +, Triberr, Klout, LinkedIn… all of those fit into the picture too.

Sounds a little like designing by committee doesn’t it? Well, not really because it is all part of the conversation. Engaging people in the conversation and then letting your imagination run riot is all part of the process.

Imagination plays a part in marketing this, so I have to find out up front what is going to work.

 I am still developing my plans for the two books that we have published via Throwaway Lines, the company that I own with my business partner, Jason Horger. Jason’s book Whom, and our friend Jessie’s book Divorce.

My approach is in for the long haul. It involves learning things, stepping outside my comfort zone, and bringing new things to the table for my separate interests.

The technology is offering a brave new entertainment future, and we can offer books which crossover into the world of moving pictures and sound. Interactive is the way to go.

Finally, I really do know where I am going.

Social Media and the Art of Biting Back

Social Media and the Art of Biting Back

I operate under the very simple philosophy that my mobile (cell) phone is an instrument of my personal convenience and I am not a slave to it. In fact I make it work damn hard.  If I am out and about, it is a place that I store memoranda, take pictures, email, and generally work. But if it rings when I am on the M25 doing 70, it can ring until it has a nervous breakdown or the person on the other end finally twigs and leaves a message.

I own it, it does not own me.

And that, dear reader, is the point.

Social Media can be exhausting. There are literally thousands of options out there, and you could make it a life’s work feeding all these beasts and keeping them topped up endlessly.

What it actually boils down to is time vs cash vs options + VISIBILITY.

Twitter.

Facebook.

A blog – IF YOU ARE PREPARED TO MAINTAIN A BLOG! Nothing says loser like a blog with only a couple of posts.

An aggregator to make life simple.

I use Tweetadder. It isn’t free but it is simple to operate, and does exactly what it sets out to do.

For the last six or seven weeks, I have been operating a very carefully targeted keyword list on Tweetadder for @thepigpicture. The results have been very favourable, in six weeks they have tripled their following. Tweetadder spreads the word about Henry Barrial’s film, Pig, to people who are likely to be interested in what the film is about. Tweetadder has a nice line in semi-automatic tweets that are designed to raise interest and awareness of this great movie.

Klout. Still in Beta, but generally startlingly simple to operate, give someone klout, they return the favour so to speak, it measures your effectiveness while giving you the chance to improve your effectiveness by making new contacts in the areas where you have klout. It may not be precisely rocket science, but it is so far interesting and apparently effective.

Like Twitter, post on Facebook when you have something to say. Fans may or may not be interested in personal facts, but they are interested in your professionalism.

No Budget Film School on facebook is one of my favourites, and not just because its owner and founder is a friend, but because the information he provides links to, and the blog posts that he writes are genuinely helpful resources that will have significance to people trying to make their own no/low budget films.

Social Media is a matter of common sense and targeting. The more you give over to watching it, cosseting it, posting on it, worrying over it, the less effective it will be. Striking the balance between automation and personalisation while still maintaining your brand’s image is really important.

You can be visible for very little time and effort. It is in the quality not the breadth.

Who’s Afraid of Social Media?

Who’s Afraid of Social Media?

I am 47 years old.

Before you all gasp in shock that I should admit this openly, (especially my friends in the entertainment industry, which lives by the code that everyone is 21 FOREVER!!), I say this in the spirit of not just bald honesty, but so that you understand where I am coming from.

I know the people who I hope will be reading this. Like me, they grew up without computers. The schools they went to didn’t really have computers until after they had left, or maybe (my case) the computers caught the tail end of my school daze and were really only reserved for geeks.

The point of all this unnerving honesty is that I know where you may well be coming from about Social Media.

It’s free. It has to be largely pointless, doesn’t it? You don’t quite believe that anything free can be of any use, or any harm, to you. It’s a bit of a joke, the place you post silly pictures and poke people, and the 140 character sentences you hope are going to invite people to buy your book, your film, your music, or are going to demonstrate their appreciation and spread the word about you and your work to their followers.

I’m a writer. I write for a number of blogs, I have two of my own, this one and a blogspot, I also share a blog with my amazingly talented blog partner, Mel Hagopian. But in the great annals of the media world, I am what might be considered a nobody. Spielberg has never heard of me…. any number of household names have never heard of me. Yet I have klout.

How can this possibly be? A nobody with klout?

I am an influencer.

Why? How?

Social Media is how, and why.

Take Twitter. People micro-blogging about nothing. It’s rubbish right!?

No, sorry, wrong. Twitter is an amazing tool. Like any tool, any crapness is usually coming from the user. The tool is only as good as the person using it.

Say you have an event to publicise, date, time, place etc, all of these are important. So you blandly tweet a brief advertisement and watch it get flushed away in the feed. Maybe someone sees it, maybe not.

Bland. Banal.

Examine your 140 characters, if either word can be applied to what you have written, do not hit the send button.

Boring gets you nowhere.

Tweets with links in. You may have something to sell, you may have events and screenings and readings to publicise, but if every tweet you ever make comes with a link to this or that event, and a cunningly worded invitation to spend money, you won’t capture interest or loyalty for very long.

My advice is, when you start out, no more than a third of your tweets should carry links. Especially links to things you want people to buy.

Watch trends, join conversations (#), express opinions, be funny. Be smart, be charming. Be the kind of person that people want to get to know, want to read.

As the late, great Noel Coward said:

Consider the public. Never fear it nor despise it. Coax it, charm it, interest it, stimulate it, shock it now and then if you must, make it laugh, make it cry, but above all never, never, never bore the living hell out of it.

Great advice. Of course he was talking about writing plays, but this approach works and it applies especially well to Twitter.

To get the great buying public out there to want to buy what you have to sell, you have to show it a little more than a bleat that basically says show me the colour of your money.

There are always audiences out there for your work. They may not be who you think they are. They might not even be who they think they are. It’s like dating. You make connections. You get to know someone. You share stories, you make time for them.

You engage with people.

Yes twitter is about followers and followings. Be selective. Follow people because you think they are interesting and have something to say. Be a little less hung up on the details of mutual interests, go exploring, get to know who you are dealing with.

Read tweets.

Learn from other people.

Above all… HAVE FUN. Enjoy what you are doing and saying. Do not look on it as a tiresome chore, but a journey of discovery.

Marty Lang, (@marty_lang) captures it perfectly in a recent tweet to @FilmCourage:

“What do you notice about filmmakers who are NOT on social media? You don’t notice them at all.”

Substitute whatever business you are in for the word Filmmakers and Marty has captured the essence of the need for Social Media. There may be traditional paths to movie/music/publishing glory, but unless you have bottomless pockets and an army behind you, you are not going to be making a dent.

You are in charge of your own destiny, you can grow your following amongst real people who are the ticket-buying, bums-on-seats public, or you can wait and hope to be discovered.

To use Social Media you do not need an agent, money, or permission. Just a good old fashioned dose of common sense and a curious mind.

Twitter is just the starting point, I will cover some other options in another post, and also get round to how you might streamline to save time. Until then, have some fun exploring. It really isn’t as scary as you might think.